When Eddie Fisher left Debbie Reynolds, it was the biggest scandal since… well, it was one of the biggest scandals since the movie industry had moved to the West Coast. It involved larger than life personalities of the fifties, a time when marriage was forever and children came first.
When the couple met in 1954, Fisher was a teen idol, rivaling Frank Sinatra in popularity. Even his army stint in Korea didn’t dim his visibility.
Reynolds had made eleven movies, including Singin’ in the Rain with Gene Kelly and Donald O’Connor. She danced, too. Modern Screen put her at the top of their list of appealing young female stars, besting such lovelies as Grace Kelly, Elizabeth Taylor, Doris Day, and Marilyn Monroe.
As a couple, gossip columnist Louella Parsons called them “America’s Sweethearts.” Their engagement sold papers. Their wedding made headlines. The movie they made together, Bundle of Joy, bombed, but the births of Carrie and then Todd were a symbol of their everlasting love. Their separation was met with astonishment, all the more so because Eddie had taken up with Elizabeth Taylor, the widow of his best friend, movie producer Mike Todd.
The women couldn’t have been more different from each. Elizabeth was the bad girl, exotic and sultry, like a wine glass of warmed cognac. Debbie was the girl-next-door, familiar and friendly, like cold lemonade on a summer’s day. When the press learned of the triangle, they both played their parts perfectly.
Meeting the media camped on her doorstep sometime after midnight once the news broke, Debbie said, “I’m still in love with my husband. I’m deeply shocked over what has happened.”
Liz, said, “ I don’t feel that I’ve taken Eddie away from Debbie – because they weren’t getting along anyway.”
Debbie said, “Liz must have been misinformed about relations between Eddie and me. We have never been happier than we have been in the last year. I would even say ecstatically happy.”
To which Liz said, “I don’t go around breaking up marriages. Besides, you couldn’t break up a happy marriage.”
After instructing her attorney to go ahead with a divorce, Debbie commented, “It seems unbelievable to say that you can live happily with a man and not know he doesn’t love you. But that – as God is my witness – is the truth.”
The truth, the whole truth, and nothing but the truth: that’s hardly the way we think of Hollywood. Nor is it the end of the story.
When both women had remarried, Debbie to Harry Karl, a shoe tycoon, and Elizabeth to Richard Burton, no description needed, they made up and became friends. Upon Taylor’s death, Reynolds said, “No one else could equal Elizabeth’s beauty and sexuality… She was a symbol of stardom. Her legacy will last.”
As far as Eddie, let’s just say he’s a better actor than we remember him, if we remember him at all.
© 2012 Susan Marg – All Rights Reserved
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Not quite sure what Eddie Fisher sounds like? Here he sings “I’m Always Hearing Wedding Bells”: http://www.youtube.com/watch?v=gQ2ubf-2BXg
Love this post, and especially your beverage analogies describing the two widely discrepant gals.
Keep it up!